Lobster — a publisher that looks at the world through two lenses Lobster — a publisher that looks at the world through two lenses
Client
Lobster
What we did
Audience research, Positioning, Slogan-descriptor, Brand Identity, Design system
Industry
Book publishing
Scope
brand platform, 2 identity concepts, design system

Lobster a publisher that looks at the world through two lenses

In brief

Lobster is a curated publisher of science fiction and historical nonfiction. We found the idea that connects two very different genres, defined the positioning and a slogan-descriptor, and built an identity that works everywhere from a book spine to a banner.

Rebrand

From a name to a brand that explains what it publishes

Before After Before After

The publisher needed answers to three questions: what we stand for, who we are for, and why readers should trust us. The logo came last — as a consequence of the strategy.

Brief

A new publisher of two genres — and a brand that explains why they belong together

Lobster: A new publisher of two genres — and a brand that explains why they belong together
Goal 01

Positioning

Find the idea that puts science fiction and historical nonfiction on one shelf.

Lobster: A new publisher of two genres — and a brand that explains why they belong together
Goal 02

Creative platform

Build a creative platform that scales from cover and spine to social media, events and merch — one idea for every format.

Lobster: A new publisher of two genres — and a brand that explains why they belong together
Goal 03

Brand Identity

A visual language for covers, spines, social media and banners.

A brand is a foundation that a slogan stands on

  1. 01 “More mischief”

    The team wanted the brand lighter, livelier, with a sense of humor.

    We separated liveliness from mischief: mischief fits neither the readers, the team nor the books. The focus is curiosity with a light touch of irony.

  2. 02 A new player

    A new publisher has to explain at first glance what it publishes.

    A slogan-descriptor: the idea plus the genres — “Curiosity as a way of life. Science fiction and history.”

  3. 03 Two genres

    Science fiction and nonfiction sit on different shelves and have different readers.

    One idea that unites them: two lenses on one process — humanity’s past and future.

Market

The shelves are packed with bestsellers — while the niche for intelligent sci-fi and history is almost empty

Mass marketNiche Fantasy, fiction, bestsellersScience fiction, nonfiction, history Lobster

The market throws readers into an “ocean” of bestsellers: shelves and recommendation algorithms are filled with mass releases. Science fiction often looks shallow, nonfiction academic and heavy. Readers looking for ideas and answers have to wade through the chaos on their own.

Insight

People look to books for more than gripping stories. They look for answers — to understand their place in the big story of the world

  • I saw Lobster, saw it was sci-fi, a few books — and knew I had to remember the name. There isn’t that much quality science fiction published here.
    Reader, in-depth interview
  • Science fiction, or nonfiction for that matter, answers hard questions — futuristic or social. But in an accessible, literary form.
    In-depth interview
  • When you read, you live many lives. You get a lot of ideas — and can take something from them for yourself.
    In-depth interview
  • I got a little scared that artificial intelligence could wipe out humanity. So I decided to explore “the future” for myself — to feel calmer.
    Reader, in-depth interview

Idea

Humanity looks in two directions at once: back at its history and forward into an unknown future

PastHistorical nonfiction

Explains how the world came to be.

FutureScience fiction

Imagines where it might go next.

Lobster

Two perspectives on one process

Science fiction asks questions about the future. History gives the context for the answers. Together they help readers see themselves as part of the grand story of civilization — in other words, understand themselves.

Slogan

How “curiosity” went from a word in interviews to a way of life

  1. Readers

    They look for answers first, genre second

    In the interviews nobody said “I love sci-fi” or “I read history.” They said something else: I want to understand how the world works, why it became what it is and what happens to it next. For them, a book is a way to figure things out.

  2. Common ground

    Both genres ask the same question

    History asks “how did this happen?”, science fiction asks “what if?”. Beneath the two shelves lies one driving force: curiosity. That is why these books stand side by side.

  3. Search

    We needed a line about the reader

    We went through formulas about the audience, about the two lenses, about the brand’s character. All of them were true, yet all of them described Lobster. We were looking for something readers would want to say about themselves.

  4. Decision

    Curiosity is a character trait

    People carry it with them: on a T-shirt, a notebook, a profile. So the slogan becomes a sign of belonging, and the descriptor “Science fiction and history” instantly explains what Lobster publishes.

Campaign slogan

Science fiction and history.

Brand platform

A curated shelf for readers tired of endless choice

  1. 01

    Positioning

    A curated publisher of intelligent science fiction and historical nonfiction for people curious about how the world works and what it could become: from its history to possible scenarios of the future.

  2. 02

    Audience

    Intellectually curious readers aged 20–40. For them, books are a way to build their own picture of reality, to think about the future through the past, and part of their cultural identity.

  3. 03

    Brand function

    We explain the world through its past and future — by publishing quality books the market is missing. Every book is part of a wider conversation about civilization, technology and the future of humanity.

  4. 04

    Character

    The friend you can always ask: “What’s really worth reading?” A genuine, curious intellectual who speaks plainly.

  5. 05

    Reasons to believe

    Curated selection: contemporary titles nobody else publishes. Two perspectives on one process. Cultural ambition — an intellectual brand with a publishing house at its core.

Graphics

Vectors are the connections between ideas, words and marks

CURIOSITYAS AWAYOF LIFELNGC6357
Drag the node or a word to rebuild the vectors

The identity is built on a modular grid, like a technical drawing. Vectors start from a single point and connect words, books and marks into one thought — this is how the slogan “Curiosity as a way of life” lives on a billboard, a stand, T-shirts and posts. The composition is never static: every point is the start of a new connection. Try it yourself — drag a node or a word.

The mark is a window for stories

The brand mark is the “O” from the logo. Its window holds an “L” or the index NGC 6357, and on social media — stories: new books, events, audio and reviews. Whatever the window shows, the mark stays recognizable.

LNGC6357
Lobster01 / 08

Colors and type

Colors separate the genres — like the brand’s two lenses

  • Black #141414

    The base environment for high-contrast typography and the technical grid.

  • Red #D81F2D

    Accent and logo. In the genre system — history, books about the past.

  • Blue #213B95

    Technology and structure. In the genre system — science fiction, books about the future.

  • White #FAFAFA

    Clean space, readability, an editorial feel.

Typeface e-Ukraine

A contemporary Ukrainian grotesque with clear geometry and a neutral character: large display settings sound expressive, while body text stays clean and easy to read.

e-Ukraine
Lobster: The color of the cover label shows the genre: blue for science fiction, red for history.
The color of the cover label shows the genre: blue for science fiction, red for history.
Lobster: The mark on the spines: from the shelf you can see both the publisher and the genre.
The mark on the spines: from the shelf you can see both the publisher and the genre.

The lobster

One hero for any genre

The classic lobster silhouette runs through a neural network as a base and transforms to match the book’s theme: proportions and shape stay, while material, color and texture change. So one recognizable symbol lives naturally in both history and science fiction.

OriginalSteampunkChromeNeonNewsprintPoster collageMechanicsStonePatinaObsidianFlame
Original The base silhouette that every variation grows from 01 / 11
Move your cursor over the lobster

Identity in use

From book spine to exhibition stand: covers, website, billboard, merch and space all follow the same rules.

Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use
Lobster: Identity in use

Social media

Posts, stories and banners: the book at the center, vectors “stitching” the composition together, large grotesque type in the corners.

Lobster: Social mediaLobster: Social mediaLobster: Social mediaLobster: Social mediaLobster: Social mediaLobster: Social media
The world is far more interesting than it looks in your news feed.
From Lobster’s brand copy

Result

The publisher received a brand platform — positioning, function, character and a slogan-descriptor — plus an identity with a design system. The visual language is already working on social media and in banners, and it scales to every new book without chaos.

Market position

From “just another publisher” to a niche of its own between mass market and academia

  • Place on the shelf Just another publisher among mass releases, bestsellers and fantasyA curated shelf of intelligent science fiction and historical nonfiction — in a niche with almost no players
  • Two genres Two separate shelves with different readersTwo lenses on one process: history explains the past, science fiction imagines the future
  • What the reader gets Wades alone through an “ocean” of bestsellers and recommendation algorithmsA curated shelf and an answer to “what’s really worth reading?”
  • First contact The name tells a new reader nothingThe descriptor “Science fiction and history” — clear at first glance
  • Reasons to believe No argument for what makes the publisher differentCurated titles nobody else publishes; two perspectives on one process; cultural ambition
  • Voice A request for “more mischief”Curiosity with a light touch of irony — smart and approachable

We mapped the market on two axes — mass market or niche, bestsellers or intelligent books — and saw that most publishers compete for the same mass-market basket. Lobster took the opposite corner: it offers what the shelves are missing and stays out of the bestseller race. Every identity decision — from the descriptor to the genre colors — works for this position.

What we’ll do for you

A brand people read at first glance — from positioning to identity

For when the product is strong, yet the brand fails to explain what you do and for whom. We’ll start with the audience and the idea — and finish with a system your team can run on its own.

  1. Lobster: Audience and market research 01 Audience and market research In-depth interviews and the insight the brand stands on.
  2. Lobster: Positioning and platform 02 Positioning and platform What you stand for, who you’re for and why people should trust you.
  3. Lobster: Slogan and tone 03 Slogan and tone A line that can last for years, and the brand’s character.
  4. Lobster: Identity and design system 04 Identity and design system Logo, graphics, colors and rules for every format.

Team

Agency
DOGMA
Client
Lobster

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